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A chromatic variable typeface that ships in four plates. It prints out of register, drifts under your eye, then snaps into line. Built for posters, packaging, and screens that still want ink.
One drawing will not serve a caption and a billboard. Overprint carries an optical axis, so the contrast opens as the letters grow. Scroll to push it from text to display.
Every glyph is drawn as four overlapping plates. Stack them in register and you read one clean impression. Pull them apart and the letter splits into light, the way a press drifts on a Monday morning. Drag the control to take it apart yourself.
Recto Studio 1928, sizes 1/2 and 3/4.
A face that admits the printing happened.Studio note, Recto type specimen 001
Most type treats color as a finish you add later. Overprint treats color as structure. Every letter is four plates, so a headline can break apart, drift, and find its register in front of the reader. Ink is not decoration. It is the letter.